Lions for Lambs -- America in Need of Reporters

Lions for Lambs and a velvet censorship exposed

The movie Lions for Lambs damn near brought on the Post-Traumatic- stress that is someday inevitable for most reporters. Our eyes have to comprehend images that can never be erased and any sane person would never commit to a job that includes witnessing targets of tragedy and hate on a daily basis

We learn to cultivate ice in our veins until the PTS rolls in like fog.  But Lions for Lambs doesn't drift, it jolts. As jolting as sticking a tongue into a light socket.  My hair felt as if it was on fire, and the heartburn in my stomach moved into my throat. My daughter sitting next to me kept asking,  "Mom is this the way it was, is this the way it is?" I bowed my head, felt the ice in my veins melt and began weeping.

Finally someone understood and put on record "America's velvet censorship."

Tear ducts aren't anatomy parts used much by reporters.  Crying is debilitating, inconvenient and unprofessional. If one is unlucky enough to be an anchor as well as a reporter, it makes the eyes and nose red, and viewers are ruthless with rumors. "Could she be stoned, perhaps she's an alcoholic?" Cruelty is an epidemic in America today. You've read the tabloids, its ugly out in the open. Everyone's taking a shot.

Now that Lions for Lambs is on HBO, enough time has passed, and I believe I can write about it while avoiding too much sappy sentiment.

I don't always wait for credits after a movie, but when Lions for Lambs ended, sitting in a deserted theater in Steamboat Springs, Colorado, I could not leave the chair. I was dumbfounded. Considering all that I had witnessed in the last seven years since 9/11, I sat with my mouth open in a catatonic cantaloupe stupor. I could not move from the chair if I had wanted to. I needed to honor Robert Redford, and I needed to see who wrote it. I had to commit the name to memory. "Fire!" my daughter said playfully trying to get me to move. I would not budge.

Lions for Lambs was written by Matthew Cornahan and produced and directed by Robert Redford who reaches into the depths of human nature and knows how to pan the fool's gold from the nuggets that are real. He is a keen observer of human nature, and he was brave to do this film. The Bush administration is vindictive. The older Redford gets, the deeper he is drawn into the heart of any matter. And this film matters.

When I got home, after a menopausal outburst in the shower(as not to frighten the kids,) I pulled it together and Googled Matthew Cornahan.  I could not find out much about his personal background.  Was he a politician? Was he a reporter? Was he a college Professor? Could he have been a soldier?  How did Cornahan and Redford understand every nuance of what a velvet censorship is like? Had Carnahan lived under a dictatorship?

Meryl Streep played the part of the seasoned reporter who wakes up to find she has to chose between stenography and propaganda, and writing what she knows from her experience to be true.  I will not  give the ending away, but the reporter Streep plays has a choice to make. Does she do what she is trained to do, or does she regurgitate a press release and let the manipulators put more lives at risk?

Matthew Cornahan and Robert Redford 's knowledge of the events following the invasion of Iraq is nothing less than brilliant. "The Velvet Censorship" was a complicated erosion of values and the turning points are right there on screen to witness.

Now that the film is out on HBO, I took a deep breath and decided to watch it again.

As I did, I thought of the journalists who recognized the censorship and refused to play a role in it. I thought about the corporations running newsrooms today and how they censor by encouraging infotainment. I thought about today's reporters who don't know their history and are incapable of helping viewers put things in perspective. I thought about the corporations who now own once great newsrooms -- corporations who curry favor with the White House to keep gobbling up more Television and Radio stations. I thought about the courage it took to speak up knowing it could cost careers.

Fear is a powerful sedative, but there are many town criers (reporters) who refused to report only what the White House told them to. This is for them. They are American heroes.

Helen Thomas: Who would have thought after all those soft ball questions all those years lobbed at every President since John f. Kennedy, she would turn out to be a pit-bull? I am ashamed I did not see it before. I want to thank her for insisting the President tell the American people what he was up to. She never did get many answers, and she certainly fell from grace at the White House, but she showed more gumption than anyone else in the White House Briefing" room. "Mr. President what is the mission?" "Mr. President how did Afghanistan turn into Iraq?" " Mr. President the military still hasn't captured Bin Laden." On she went with countless questions which turned the President's face crimson.

I will forever call her Mt. St. Helen.

Dan Rather:  The last of the big boys. He is one tough Texas SOB. CBS and Viacom needed to win favor with the White House and Rather, who breathed life into CBS for years, and earned -- EARNED -- America's trust was thrown out like yesterday's garbage. He is now suing CBS. Rather refused to join the George W. Bush PomPom Brigade, he lost his job and now says he cannot get another one. We are talking about Dan Rather here folks. Then came the accusations against him. I cannot wait to hear his version of how CBS sabotaged his career after he criticized George Bush. I hope he has the fortitude to keep plugging. The world needs to understand what CBS did to him and how the "Tiffany" network is forever tarnished. Dan Rather is an American hero.

Paul Steiger was managing editor of The Wall Street Journal until Rupert Murdoch bought the paper. Steiger has formed an independent- non-profit- news organization called Propublica with some of the best reporters in the country on board. Steiger plans to deliver news to Americans without fear of retribution from commercial interests. He is a journalist in the true sense of the word. He is a stellar example of a man who still believes in the "Fourth Estate." Without it, citizens are uninformed and there is no democracy. Steiger is a patriot.

I thought of mark Ash, the director of Truthout.Org.  His on- line news service has been subjected to every shenanigan imaginable. His paper has been re-directed to subscriber's spam boxes with alarming consistency and his fortitude fighting to deliver alternative views to the American people makes him a present day revolutionary. When this velvet censorship is over Mark Ash should be honored.

I also thought about the dozens of journalists from all over the country who have written me with stories such as this one: "There's a military base right across the street from our television station where soldier's bodies are brought home. We were told never to point our cameras in that direction or ask questions about what's going on there."

Lions for Lambs is for those journalists -- not who tried to stop the war -- but who tried and continue to try to get truth about the wars in Iraq and Afghanistan to the public. There are many, many others. Perhaps you can make your own list. The names of those -- many black listed today -- who refused to become stenographers or spread propaganda -- no matter how much we all want the lies to be true.

Seven years after 9/11, and a little more than two weeks before Memorial Day not much has changed. The mission in Iraq is still unclear. With few embedded journalists there, there is no way to know for sure who is telling the truth. PBS' Frontline recently did a story featuring one platoon who video-taped themselves doing their duty just in case the American people had forgotten them.

See: here

If only journalist would be allowed to do their jobs again, Hollywood, soldiers and others would not have to.

There are many journalists who have refused to cheer for the administration and read its press releases without checking for facts. But perhaps this film will help American citizens recognize  manipulation and think twice before keeping quiet.

Comments

[Nettie]

Thanks for sharing. I wasn't interested in renting the movie until I read your article. I'm on my way to the video store. Case in point--I guess I should definitely stop listening/reading the "paid" critics reviews of the movie. I appreciate and believe in your integrity and honesty. I'm hooked!

[Marcia]

Are we ever in need of journalists. It's hard to find reporters anywhere on TV and radio but there are plenty of talking heads. I don't want speculation: I want facts. The San Jose Mercury News has shrunk steadily and one could argue that part of the reason is we're getting news online, but my feeling is that we're not seeing local, national or international reporting. Why bother to subscribe? News outlets of all varieties are shooting themselves in the foot with whatever is passing for reporting.